site-specific audio-visual installation.
Inspired by natural environment and its place in modern cities landscape. In "The Day We Left Field" Nature in its primary form, blades of grass, is the "leading character". As in a surrealist painting, the blades of grass rhythmically keep wavering upside down in a cocoon of sound and visual effects forming a floating meadow.
Inspired by natural environment and its place in modern cities landscape. In "The Day We Left Field" Nature in its primary form, blades of grass, is the "leading character". As in a surrealist painting, the blades of grass rhythmically keep wavering upside down in a cocoon of sound and visual effects forming a floating meadow.
THE DAY WE LEFT FIELD
2025: Seoul Light Festival (Seoul,KR)
2024: Art-Club POST (Houston, US)
2023: PROSVET festival (Perm, Russia)
2022: MUFO (Museo del Futuro CDMX, Mexico)
2021: HYDRA exhibition (St.Petersburg, Russia)
2020: LLUM festival (Design museum of Barcelona, Spain)
2019: Wave of Tomorrow (Jakarta, Indonesia)
2019: Zerospace (New York, US)
2018: Farol Santander (Sao Paulo, Brasil)
site-specific audio-visual installation.
Inspired by natural environment and its place in modern cities landscape. In "The Day We Left Field" Nature in its primary form, blades of grass, is the "leading character". As in a surrealist painting, the blades of grass rhythmically keep wavering upside down in a cocoon of sound and visual effects forming a floating meadow.
Inspired by natural environment and its place in modern cities landscape. In "The Day We Left Field" Nature in its primary form, blades of grass, is the "leading character". As in a surrealist painting, the blades of grass rhythmically keep wavering upside down in a cocoon of sound and visual effects forming a floating meadow.
THE DAY WE LEFT FIELD
2025: Seoul Light Festival (Seoul,KR)
2024: Art-Club POST (Houston, US)
2023: PROSVET festival (Perm, Russia)
2022: MUFO (Museo del Futuro CDMX, Mexico)
2021: HYDRA exhibition (St.Petersburg, Russia)
2020: LLUM festival (Design museum of Barcelona, Spain)
2019: Wave of Tomorrow (Jakarta, Indonesia)
2019: Zerospace (New York, US)
2018: Farol Santander (Sao Paulo, Brasil)
Visitors find themselves fully immersed inside the space of a dream, feeling vulnerable and at the same time aware of the open symbolism coming from seeing nature living within an urban closed landscape, a room located on the 23rd floor of one of the tallest architectural landmarks in one the biggest megalopolis on the planet.
More information about how the project was made:
More information about how the project was made:
2018: Farol Santander (Sao Paulo, Brasil)
Visitors find themselves fully immersed inside the space of a dream, feeling vulnerable and at the same time aware of the open symbolism coming from seeing nature living within an urban closed landscape, a room located on the 23rd floor of one of the tallest architectural landmarks in one the biggest megalopolis on the planet.
More information about how
the project was made:
More information about how
the project was made:
2018: Farol Santander (Sao Paulo, Brasil)
2019: Zerospace (New York, US)
2019: Zerospace (New York, US)
Special revision of DWLF installation commissioned for Prosvet festival 2019, took place in Perm city historical building Shpagin Plant.
More information about how the project was made:
More information about how the project was made:
2019: PROSVET festival (Perm, Russia)
Special revision of DWLF installation commissioned for Prosvet festival 2019, took place in Perm city historical building Shpagin Plant.
More information about how
the project was made:
More information about how
the project was made:
2019: PROSVET festival (Perm, Russia)
2020: Llum festival (Barcelona, Spain)
2020: Llum festival (Barcelona, Spain)
